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Acting
July 1, 1909
April 26, 1981
New York City, New York, USA
Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark. By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927). Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.

Self (archive footage)
1975

1955

1955

1951
Sylvia
1950

1950

1948

Ann
1948

Elizabeth Bennet
1948

Elinor Dashwood
1948

as Self (archive footage)



as Sylvia



as Ann

as Elizabeth Bennet

as Elinor Dashwood

as Julie Armstrong

as Anne Wesson

as Helen "Nell" O'Neill

as Patricia Booth

as Susan Sprague

as Ann Chester

as Toni Adams

as Ann Devlin

as Ruth McAllan

as Helen Sherwood

as Rosalind Rockwell

as Maxine Bennett

as Agnes Wickfield as a Woman

as Glenda Wynant

as Lady Sybil Tenterden

as Frances Clark

as Julie

as Lady Mary Fielding

as Mary Adams

as Amy Fisher Piper

as Letty Morris

as Paula Jordan

as Dorothy Day

as Anne Ainsley

as Letty Lawson

as Dorothy Griffith

as Joan

as Dorothy Mason

as Claire

as June Marcher

as Shirley

as Rosalie

as Laura O'Neil

as Polaire

as Mary Blayne

as Anne

as Countess Vima Walden

as Barbara 'Babs' Grant

as Miss 'Missy' Ruby

as Janice

as Helen
as Sylvia

as Lisbeth

as Madge Dow

as Child

as Patty Barnes
as Deanie Consadine
as Clarissa Leigh

as Madge Lathrop

as Ruth Le Page - as a child

as Ruth, as a Child

as Eileen Homer

as Self
as Editha

as Mary Brian, age 8

as Francine - Age 7

as Constance

as Marjorie

as Georgia Gwynne, as a girl

as Jane Baxter

as Dot
as Nannie Stevens

as Bessie

as Little Emily

as Betty

as Jean as a Child

as Clara