Loading amazing content...
Loading amazing content...

Acting
April 26, 1909
October 23, 2002
Rostock, Germany
Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1] Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1] One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1] During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born. Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf. Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."

Various Roles (archive footage)
2017

2000
Self
1998
Maximiliane
1991
Frau Weinstein
1991
Self
1990
1989
Self
1989

Hedwig Schuster
1989

Gräfin Hohenlohe
1988

as Various Roles (archive footage)

as Self
as Maximiliane
as Frau Weinstein
as Self
as Self

as Hedwig Schuster

as Gräfin Hohenlohe
as Thea Ammer

as Herself

as Claire Maetzig
as Self
as Zweite Frau Professor
as Self
as Marianne
as Self
as Elisabeth v. Ardenne
as Mutter

as Self
as Self

as Self

as Tante Doda
as Mother

as Johanna Martinek

as Charlotte Steinburger

as Mother
as Tante Thea
as Präsidentin
as Self

as Witness

as Johanna Blago

as Lotte Boszilke

as Amalie Schöndorf

as Charlotte Echte
as Mrs. Bryant
as Herzogin von Gloster

as Madame Brassac
as Self
as Selma Selig
as Madame Hunter
as Die Zeit
as Augusta

as Elsa Grohmann

as Mrs. Brendel
as Self
as Edna Selby
as Patricia Taylor
as Self
as Iokasta
as Self

as Mrs. Butler
as Henriette Flamm
as Generalin

as Mary Pinder, verw. Moron

as Martha Krapp
as Self

as Helga Dargatter
as Self

as die Frau

as Irene Scholz

as Johanna Stegen alias Luscha

as Self
as Lenore Carius
as Julia Bach

as Madeleine
as Felicitas Iversen

as Franziska Tiemann

as Renate Brinkmann

as Effi Briest

as Gabriele Brodersen

as Mabel Atkinson

as Inken Peters

as Hester

as Marie
as Regine Kessler

as Käthe Liebenow

as Maria Schönborn, Verkäuferin im Blumenhaus Floris

as Hella Bergson

as Johanna Luerssen

as Anna

as Elke Volkerts
as Ursula Diewen

as Josefa