Heaven with a Gun

Two men who have been friends since childhood find themselves on opposite ends of the law.

At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event.

A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Ragat (Blood) is a powerful Nepali film that highlights caste discrimination and social injustice. The story follows Krishna, a young man from a lower-caste family, who bravely fights against the oppression of the rich and upper-caste elites. Hemant Kaji, a wealthy and influential man, strongly believes in caste superiority and looks down on the poor. Amidst this division, Laxmi, a girl from a rich family, falls in love with Gopal, a lower-caste boy. Defying societal norms and family pressure, they marry against their parents' wishes, challenging the rigid caste system. Their love becomes a symbol of change, but their struggle is met with resistance. In the end, Radha, Laxmi's caring aunt, tragically loses her life, leaving behind a message that all human blood is the same-hot and red. Directed with a strong social message, Ragat questions why caste discrimination still exists in Nepali culture and calls for equality and justice.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A thoughtful and engaging examination of a young generation's struggle to find themselves and their place in the world as seen during the course of a 'slacker uprising' in one city incited by three frustrated high school graduates.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

A teenager gets out of reform school and heads to Torquay for a swimming contest, where he meets a pair of young Northern lasses working as hotel chambermaids. However, their fun is interrupted by a gang of Scottish punks who come to cause trouble.

Loyal gang member Iron Panther takes the heat for his boss after a dustup with their rivals, only to end up betrayed in this vintage kung fu yarn.

Two castaways sailing their way back home struggle to survive until they find a treasure that will test their friendship.

This black and white documentary film reports on a brigade of women, they are the "stars" of a Berlin light bulb factory. What is striking is the cordiality and good cooperation within the women's group, despite their monotonous work in the control area in the production of tungsten wires, also called filaments. Original tones are inserted to convey the joys, the cheerfulness and quick-wittedness that they have despite their burden of family and work. A problem of the wrong way of counting the female workers is openly addressed by the brigade leader and in a countercut Inge introduces her baby to her colleagues in the company. Everything seems like one big family and nobody can really imagine being without this work.

A sexually unsatisfied wife on the Greek island of Lesbos for a vacation meets a self-confident blonde lesbian who tries to seduce her. Her impotent husband, worried that his wife might turn gay, hires a local man to seduce his wife.

When Susie Long appears, together with her 20 year old son, Pink and Pound are thrown into confusion that one of them could be his father.