Dear Diary

Eccentric and full of manias, Michele is a young high school professor who defines himself as “not used to happiness”. He realizes his life is meaningless if he doesn’t have a woman by his side but, after a series of rather disastrous experiences, he feels more alone than ever. Then, out of the blue, a new French teacher called Bianca arrives at school. Amongst uncertainties and contradictions, the two start dating. In the meantime, a series of homicides take place and a police officer begins to suspect that Michele is involved. Bianca will save him providing an alibi at the right moment, but then, everything goes wrong again.

Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.

Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

The story of a middle-aged bookshop owner, who becomes embroiled in a surreal swirl of romance and family secrets of infidelity, her energy levels registering in bursts of electrical interference - causing lightbulbs, traffic lights, toasters and computers to spontaneously spark and malfunction.

The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the factory.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

A group of mysterious people organizes a private event in an abandoned mansion. Soon with the arrival of the guests things will change.

Josefina, a radical homemaker, committed a crime of passion that led her to self-exile at a coastal town. She tries to find peace in solitude, immersed in the house routine, while coexisting with a past of lovers and Molotov cocktails. Her body suffers the metamorphosis of aging, and she must undergo cataract surgery.

An upside-down world where women are in power and men look after the family. Domenico retells his story to his daughter starting with a tender memory. In a letter he re-lives the joys of her birth, her childhood, the dreams of a happy family, but also of the painful sacrifices of a father and husband, sacrifices that suffocated his real aspirations and desires.

When Ted’s beloved cat dies, the trauma triggers a terrible mental breakdown. His broken brain prompts him to bring his feline friend back – all he needs is nine human lives. Ted dons vicious deadly cat claw gloves and a creepy cat mask, and goes on a murderous rampage. As the butchery escalates, a twisted romance blossoms between Ted and Claire, a young woman who has also recently lost her cat in a horrifying incident.

Antonio takes a hit on his head when he's out to buy a jar of mushrooms for his wife, and loses his memory. He reappears five years later unaware that time has passed.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Hopeless romantic Gertrud inhabits a turn-of-the-century milieu of artists and musicians, where she pursues an idealized notion of love that will always elude her. She abandons her distinguished husband and embraces an affair with a young concert pianist, who falls short of her desire for lasting affection. When an old lover returns to her life, fresh disappointments follow, and Gertrud must try to come to terms with reality.

Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice. Over the course of a water polo match ahead of election day, he begins to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.