Ashes of Time

Ip Man's peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family's honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and truth after discovering the woman who raised him isn't his mother.

This short features a man who is visited by his ex-lover. The moment she arrives, the man starts his constant barrage of speech; the woman doesn't say much. She just mocks the man and pretends she isn't listening. She pulls faces at him and larks about; while the man is trying his best to get her back in his life, then in the next sentence he says he hates her.

A power struggle between the Queen's treasonous lover and a princess occurs amid musical numbers, slapstick battles, and martial arts acrobatics.

Crown Prince Wu Luan is in love with Little Wan but left heartbroken when she marries his father, the emperor. The emperor's brother, Li, kills him and Wu Luan tries to avenge his father's death.

To secure a better future, Mrs Mc sends her son McDull (who is a piglet attending kindergarten) to many different classes and she has also bought her grave on mortgage. Inspired by J K Rowling, Mrs Mc tries her hand at writing. At bedtime, she tells McDull the story she wrote although McDull keeps asking her to read him Harry Potter instead. The story she wrote is actually the story of McDull's father, McBing, Prince de la Bun

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

In the North Finistère, in Brittany, it’s late October, the low season. It’s Célèste’s last day of work as a caretaker at a seaside camping ground. Just as she’s getting ready to leave, a child disappears…

After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.

A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.

A blind witness and a runaway help the police find the suspect in a hit and run until the culprit realizes that they are close on his trail. The killer tracks her down and Soo-ah realizes that in order to save Gi-sub she would have to risk her life.

Three orphans grow up to become art thieves under the tutelage of a crime boss. Romance complicates matters when the trio are double-crossed.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

A deaf garbage collector happens upon a broken and discarded surfboard. The discovery plants in him dreams of becoming a surf champion. Encouraged by his also deaf girlfriend, he persists against all odds.

A young Vietnamese peasant girl named Mùi becomes the servant of a house in pre-unification Saigon.

It’s summer in the hood. As every year, there are those who stay, those who leave, and... those who should have left. Some, like Joe Hustleton, work «under the table» in the rich neighborhoods and fall head over heels for a pretty girl. Some, like Tony Pepperoni, play businessman and spend the summer fleeing a local gang leader and a psychopathic girlfriend. Some, like Sammy and Harvey, pretend to have left. Tropics are far for the homies... and summer promises to be very hot!

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

Elizabeth has just been through a particularly nasty breakup, and now she's ready to leave her friends and memories behind as she chases her dreams across the country. In order to support herself on her journey, Elizabeth picks up a series of waitress jobs along the way. As Elizabeth crosses paths with a series of lost souls whose yearnings are even greater than her own, their emotional turmoil ultimately helps her gain a greater understanding of her own problems...

Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.