Saturday Night Live: 15th Anniversary

During a failed art heist, the Djinn is once again liberated. This time, to complete the 1001 wishes that he needs before the final 3, he lets himself go to prison, where he starts his evil reign twisting the hopes of the prisoners. Meanwhile, the woman who set him free accidentally, Morgana, tries to find a way to stop him, aided by a young priest.

Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.

After a military plane crashes outside of a small American town, its cargo — a genetically engineered, sixty-foot-long python — begins stalking and killing the locals.

After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

Vahid, an Azerbaijani auto mechanic, was once imprisoned by Iranian authorities. During his sentence, he was interrogated blindfolded. One day, a man named Eqbal enters his workshop. His prosthetic leg creaks, and Vahid thinks he recognizes one of his former torturers.

Sarah and David are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present... and possibly getting a chance to alter their futures.

As London is submerged below floodwaters, a woman gives birth to her first child. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place.

An American writer living in exile in London, Philip listens to women. His English mistress, who visits him regularly in the studio that serves as their refuge. A student he loved in another life. A former lover confined to a hospital in New York.

Sportswriter Andy Farmer moves with his schoolteacher wife Elizabeth to the country in order to write a novel in relative seclusion. Of course, seclusion is the last thing the Farmers find in the small, eccentric town, where disaster awaits them at every turn.

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

Flanked by their two children, Simon and Adélaïde decide, like many Parisians today, to leave their two-room apartment for a quieter and more comfortable life in the country. They are seduced by a house in the middle of nature: space, a vegetable garden, a wood adjoining their garden and above all villagers who welcome them with open arms. A dream come true! But the young couple was soon to be disillusioned: the wood was actually a hunting ground for big game! Although the hunters are friendly, they are not willing to give up their territory, making Simon and Adélaïde's dream of the countryside a living hell. But true to their reputation, our Parisians are not going to let them do it.

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

Mute Hee-Jin is working as a clerk in a fishing resort in the Korean wilderness; selling baits, food and occasionally her body to the fishing tourists. One day she falls in love with Hyun-Shik, who is on the run from the police, and rescues him with a fish hook when he tries to commit suicide.

Passing all four seasons for a day, she is on her way back. And then, she falls into a peaceful sleep with a cozy feeling that doesn't exist anywhere.

When 24-year-old Jason Hochberg arrives for counsellor weekend at his beloved Camp Pineway, his biggest problem is feeling out of touch with his teenage co-workers. Little does he know; a masked killer has murdered camp owners John and Kathy and is preparing to strike again.

The Swamp Thing returns to battle the evil Dr. Arcane, who has a new science lab full of creatures transformed by genetic mutation, and chooses Heather Locklear as his new object of affection.

When fate brings Belfast teacher JJ into the orbit of self-confessed "low life scum" Naoise and Liam Óg, the needle drops on a hip-hop act like no other. Rapping in their native Irish, they lead a movement to save their mother tongue.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.