The Boat

Upon waking from the dream of a theater peopled entirely by numerous Buster Keatons, a lowly stage hand causes havoc everywhere he works.

Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it.

Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon, which lands Buster in the wilderness, later proves useful as their canoe is about go over a waterfall.

A woman seemingly dies of fright after participating in a séance where she sees a vision of a Dunwich priest hanging himself in a church cemetery. New York City reporter Peter Bell investigates and learns that the priest's suicide has somehow opened a portal to Hell and must be sealed by All Saints Day, or else the dead will overtake humanity.

In order to impress the father of a girl he is keen on, a young man goes to the city in search of work. In his letters home he writes of his various jobs which her imagination expands into much nobler ones than those that he is actually attempting.

At an upper class golf resort, a tramp discovers he's the lookalike of a rich man with a beautiful, unhappy wife.

Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.

Sheik Ahmed desperately desires feisty British socialite Diana, so he abducts her and carries her off to his luxurious tent-palace in the desert. The free-spirited Diana recoils from his passionate embraces and yearns to be released. Later, allowed to go into the desert, she escapes and makes her way across the sands...

Two farmhands compete for the love of the farmer's daughter.

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.

When Popeye takes the baby for a walk in the stroller, the little one won't be quiet unless he's sleeping. Of course there's no end of noisiness.

In post-Sept. 11 Los Angeles, tensions erupt when the lives of a Brentwood housewife, her district attorney husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple converge during a 36-hour period.

Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.

In a dystopian society where the Capitol forces each district to send two young tributes to fight to the death in a televised spectacle, a girl volunteers to take her sister’s place, setting the stage for a struggle of survival and defiance.

As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

Phoenix cop Ben Shockley is well on his way to becoming a derelict when he is assigned to transport a witness from Las Vegas. The witness turns out to be a belligerent prostitute with mob ties—and incriminating information regarding a high-ranking official.

When the quiet life of a beach bum is upended by dreadful news, he sets off for his childhood home to carry out an act of vengeance. However, he proves an inept assassin and finds himself in a brutal fight to protect his estranged family.