Nestor Burma, détective de choc

Martin Terrier wants to quit his job as a hired hitman, but his organized crime employers are unwilling to see him turned out to pasture, Terrier knows too much, and he is still useful to the organization. He escapes to the countryside where he meets Claire, and the two soon fall in love. Back in Paris to confront his employers, Terrier learns that they've stolen all his money from the bank. They give him an ultimatum—do one last job for them and he gets his money and his freedom...

Prosecutor Elisabeth Richard teams up with Captain Charles Jouanic to investigate the death of a hunter.

A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

This DVD set have all The Ultraman pre-release lost films, recorded in 8mm, and release officialy in 2005 with a photobook.

Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.

This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.

A young woman and a young boy will guide us through their eyes, offering a different and more poetic view of Montcalm Street in Gatineau. They will take the time to appreciate it and ask questions about it before time completely erases it.

As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.

A mysterious man from Alaska, known to be from the dark side, becomes addicted to sucking crack blood. He single handedly ends up cleaning the streets of Hollywood of all crack users and drug dealers.

A road trip after graduating from high school is the setting of this independent feature film, in which four fundamentally different teenagers set off to Portugal together to find themselves, their purpose in life, and great freedom after school.

Using a childhood experience of racial bigotry at school, this film looks at the ways in which racism is ingrained in American society, even in the play of children. MONIQUE is a compelling exploration of identity and memory.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Children in one class will eat with science.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

Journalists from all over America meet Marlon Brando in a New York hotel room to interview him about his new film, Morituri. Seeing this as an opportunity to let the legendary actor promote the film, they find Brando unwilling to talk about it, instead he is more interested in larking about and turning on the charm when being interviewed by a former winner of the Miss USA competition.