Rang De Basanti

Pothuraju Veera Shankar is a hot-headed circle inspector from Andhra who doesn’t like to hear the word ‘background’. Wherever he is appointed in the state, he brings all the notorious gundas to their knees with his signature policing style. When Shankar is appointed in Ongole, the brutal Katari commits a spine-chilling murder and angers Shankar. How the rivalry between Pothuraju Veera Shankar and Katari turns worse is what Krack is all about.

A goon, who dreams of making it big in life, a student leader, who strives to keep politicians away from college election and a third guy who wants to settle abroad. Their lives change after an incident on a bridge.

Jai (Jackky Bhagnani), born and brought up with middle-class values, has a ‘take it easy’ approach to life. Since he doesn't believe in herd mentality, he and his two best friends, Raunak (Pratik Gandhi) and Deepu (Shivam Parekh) start looking for unique ways to make it big in the world. During this trial and error phase, Jai realizes his dream. But his decision of choosing an unprofitable career path doesn’t go down too well with his father (Neeraj Sood), who has bigger aspirations for him. Therefore, in order to bring stability in his life, his father decides to get him married. Destiny, however, has something else in store for Jai, when he accidentally meets Avni (Kritika Kamra), an ambitious, MBA graduate, who wants to start her own business. Set in the backdrop of the Gujarati milieu, the film traces Jai and Avni’s personal journey, as they both find themselves and discover the true meaning of friendship in the bargain.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

Mark Cahill is a good family man with a loving wife and two wonderful children. Mark also happens to be a hit man who is haunted by his last victim, a blonde, who keeps appearing in his bedroom at the worst of times. His life becomes even more complicated when he becomes caught up in the schemes of two business partners, one of the partner's spouse and her boyfriend(s).

Abby Lord (Maria del Mar) is kidnapped and her husband Robert Lord (Joe Lando) has to pay off a million dollar ransom. Based on a True Life story.

Bulgaria-based director Kevork Aslanyan’s European Short Film Festival-winning sci-fi short sees a man trying to overcome an obstacle of gravitas for love. In a dystopian post-communist world, Constantine and his father Atanas share a small flat in a run-down apartment block. A tragic accident has disturbed gravity on Earth beyond repair, so everyone weighing less than 120 kilos flies up into space. With only 60kg body weight, Constantine cannot go outside, nor does he want to. Stuck in the flat, at the mercy of the electrical mood swings of a household gravitational normalizer, Constantine leads an almost normal life. He is content spending the days looking at the world through his window. Until the beautifully plump stewardess moving in next door changes everything.

Women seeking therapy from a relationship counselor are programmed, via the Love Machine, to brutally kill their mates when a hypnotic response triggers their homicidal rage.

Azhagiya Theeye movie revolves around Chandran (Prasanna) is approached by a girl Nandhini (Navya Nair) to break her proposed marriage with a software engineer Aravind (Prakash Raj) from USA. She is forced by her father who is a thug (Pyramid Natarajan) to marry this guy. Later Chandran hatches a plan by which he meets Aravind at a restaurant and tells him that Nandhini is madly in love with him.

Rajaratha is a 2018 Indian Kannada romantic comedy film written and directed by Anup Bhandari who also composed the film's music. It stars Nirup Bhandari and Avantika Shetty in the lead roles in their second collaboration with the director after the success of RangiTaranga. The film was dubbed in Telugu as Rajaratham (English: Royal Chariot) with Rana Daggubati replacing Puneeth Rajkumar as the narrator. Arya, who made his debut in Kannada cinema for the first time with the film, features in a supporting role alongside P. Ravishankar and Sruthi Hariharan.

Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.

Raju, Shyam and Baburao are living happily after having risen from rags to riches. However, they lose it all after falling victim to a chit fund scam due to their greed for more money. Soon, they find themselves in new mess and encounter eccentric and dangerous characters in their quest for a shortcut to riches again.

Humble and introvert Muharrem lives in a solitary and meager existence of a prayer and sexual abstinence adhering strictly to the most severe Islamic doctrines.His extraordinary devotion attracts the attention of the leader of a rich and powerful Istanbul religious group and he offers him an administrative post as a rent collector for their numerous properties. Muharrem's new job throws him into the modern outside world he has successfully avoided for so long. He soon witnesses conflict attitude toward alcohol consumption and goodwill.He notices that he himself has become proud, domineering and even dishonest.To make matters worse, Muharrem's inner peace is unnerved by the tormenting image of seductive woman who tempts him in his dreams,both night and day.With the balance of his devotion now upset,his fear of God begins to eat away at his senses.

Three inseparable childhood friends are just out of college. Nothing comes between them - until they each fall in love, and their wildly different approaches to relationships creates tension.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

A filmmaker stands trial when a costume assistant on his movie accuses him of rape

A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.

Banku, his mother, Anjali Sharma and father move in to their new house -- the Nath villa, unaware of the fact that the house is inhabited by a ghost. It is learnt the ghost is not too happy with his new housemates. But what the ghost is not prepared for is his unlikely friendship with Banku. Now Banku must uncover the reason why his ghostly friend is stuck and help him to attain salvation.