大追跡～警視庁SSBC強行犯係～

Retirement-home residents share their quarters with displaced kids after their orphanage is destroyed by fire. One of the youngsters was played by Fred Savage, whose next series was `The Wonder Years.'

University student Hagoromo likes to tend to her studies, but it is not easy. She lives at a love hotel operated by her father. She lives with her older brother who is a detective and always asks her for help. It is not just that he is not good at his job. It is also that Hagoromo can travel in time. She has the ability to travel back in time and find out what happened when a crime occurs. As such, she is an arm of the detective agency.

Global culinary superstar and CEO Gordon Ramsay will be pitted against Australian business mogul Janine Allis. Both investing $250,000, they’re on the hunt for Australia’s most exciting and innovative new food and drink ideas, to mentor and invest in. Having to survive and compete in various high-pressure challenges, contestants will need to prove they have what it takes when it comes to all the essential facets needed in running a successful business.

Robotics expert Dr. Otoi built Signal to be a powerful companion for his young grandson, Nobuhiko. However, a mishap during Signal's programming led to an unexpected glitch. Every time Nobuhiko sneezes, Signal transforms from a temperamental adult robot into an adorable, chocolate-loving little baby. Despite this little problem, days are usually happy and fun around the Otoi household, where robots, people and animals live in harmony. Except for the occasional feud over house cleaning chores or the affections of the female robot Elara. everything is relatively peaceful. However, one day Signal is attacked by Pulse, one the Doctor's previous creations and the prototype for Signal. Despite being critically nearsighted, Pulse is loaded down with weapons and has been reprogrammed by Dr. Otoi's mysterious rival. He's on a mission to steal the most recent robot technology, and obliterate anything that gets in his way.

Hyunhaetan Marriage War is co-production between South Korea and Japan. Dae-cheon and Takako are lovers who decide to get married. However, Dae-cheon's father, who is a fishing boat captain, dislikes the Japanese while Takako's father has an unfavorable opinion of Korea. So Dae-cheon teaches Takako how to talk in a heavy, folksy Korean accent and tells her to limit what she says to his father to only four words. He then introduces Takako to his father under the name "Choi Do-ja", which is a girl's name in Korea. Thinking that Takako is Korean, his father approves of their marriage. But later on, Dae-cheon's father learns that Takako is Japanese and becomes infuriated.

"Being Michael Schumacher" is a documentary series about the life of Michael Schumacher on ARD Mediathek.

Having spent eight years in prison for a crime she didn't commit, Leila is released determined to prove her innocence and win back her estranged daughter.

Legend of the Eight Immortals is a Singaporean television series based on stories about the Eight Immortals in Chinese mythology and adapted from the Ming dynasty novel Dong You Ji (东游记) by Wu Yuantai (吴元泰).

Eun-soo is a housewife, who struggles to pay for her husband's medical expenses. He is terminally ill. Eun-soo becomes entangled in a bag of drugs with a teacher named Yi-kyeong. He is a mysterious figure. Eun-soo and Yi-kyeong are chased by veteran detective Tae-gu.

Amy Prentiss is an American police drama television series which aired on NBC. It is a spinoff of Ironside, and aired as part of the NBC Mystery Movie from 1974-1975. Jessica Walter stars as Amy Prentiss, a relatively young investigator who becomes the first female Chief of Detectives for the San Francisco Police Department. Helen Hunt, in an early role, played Prentiss' pre-teen daughter, Jill. Four 2-hour episodes were aired. Guest stars in the series' brief run included William Shatner, Cameron Mitchell, Don Murray, Joyce Van Patten and Jamie Farr.

The tenth entry in the Toei Fushigi Comedy Series.

Humor is born on the stage, which, it seems, decides for itself who is worthy to stand on it. If the performance is not successful for the participant, the floor under his feet leans forward. At first, a little, but then another joke didn't work, and the corner becomes steeper, and after another failure, the head is occupied with completely unfunny thoughts - to hold on. And this is not the only technical surprise that awaits the contenders for victory: for bad jokes, participants receive a special mechanical "paw" on the fifth point.