The Killer Next Door

Kee, a cool tsundere, and Peem, a mischievous rich girl, become inseparable friends. No one knows the truth, though, that really, they've been secretly in love with one another since high school. From handmade pork floss, a gear necklace as a token of love, to an accidental first kiss, hearts will be racing. But love is never so easy, and fate plays its tricks. The two are separated and it will be seven years before they meet again... as boss and employee.

After stealing the key to her mother’s safe box, Lalin heads out to find her biological father, but gets attacked along the way. Here she meets Pi, the owner of Huen Hak Phaeng Farm, whom she had an issue with prior. Chaos ensues when the key to her mother's safe goes missing and she needs to stay at Huean Hak Phaeng Farm to find that key.

Nuring was adopted into Singh's family protection in order to have ability that allows her to save people around from any danger. She decided to run away after being arranged to marry Singh because she was scared of disappointment. Now she works as a bodyguard for a foreign customer. Singh took over his family's business since he was 20. He's strict and smart but is always being harmed by his rival, so he needs to get Nuring back. After Nuring came back to Singh, she must be a bodyguard for his rival's daughter, meanwhile disguising herself to protect Singh. She's doing this due to gratitude to his family who raised her. Meanwhile, he doesn't want her to do it because he's scared something might happen to her, but he accepts it because of his grandfather.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

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