G-On Riders

Chanon is a responsible, enthusiastic and hardworking young man. He is at his milestone of life, facing a career promotion and becoming the head of a factory. However, Atibed is jealous of his career growth and is determined to get back what he deserves. One day, Chanon meets Antika and their relationship is blessed by her father. Threatened by Chanon’s success, Atibed frames him and he is sent to prison. When Chanon is released, everything has changed except the love between him and Antika. With all these difficulties and obstacles, what will be their destiny?

Robotics expert Dr. Otoi built Signal to be a powerful companion for his young grandson, Nobuhiko. However, a mishap during Signal's programming led to an unexpected glitch. Every time Nobuhiko sneezes, Signal transforms from a temperamental adult robot into an adorable, chocolate-loving little baby. Despite this little problem, days are usually happy and fun around the Otoi household, where robots, people and animals live in harmony. Except for the occasional feud over house cleaning chores or the affections of the female robot Elara. everything is relatively peaceful. However, one day Signal is attacked by Pulse, one the Doctor's previous creations and the prototype for Signal. Despite being critically nearsighted, Pulse is loaded down with weapons and has been reprogrammed by Dr. Otoi's mysterious rival. He's on a mission to steal the most recent robot technology, and obliterate anything that gets in his way.

Special investigator DI Hulda Hermannsdóttir tackles one last cold case before forced into early retirement. This one relates the mysterious and shocking murder of a young Russian asylum seeker a year prior.

The Amazing Chan and the Chan Clan is a 1972 TV series made by Australia's Eric Porter Studios for American Hanna-Barbera Studios and CBS. It premiered shortly after what would have been Charlie Chan creator Earl Derr Biggers' 88th birthday. The voice of Mr. Chan, Keye Luke is the only actor of Chinese ancestry to play the title character in any screen adaptation.

Introverted designer Yun Oh meets chatty delivery man Tae In over a mysterious package. As Tae In keeps showing up, seeing kindness beneath Yun Oh’s cold exterior, Yun Oh wonders—are these daily visits making him anxious… or eager?

MasterChef is a BBC television competitive cooking show. It initially ran from 1990 to 2001 and was later revived in a different format known as MasterChef Goes Large from 2005 onwards. In 2008, the "Goes Large" part of the name was dropped, but the format remains identical. The revamped format was devised by Franc Roddam and John Silver with Karen Ross producing. The series now appears in four versions: the main MasterChef series, MasterChef: The Professionals for working chefs, Celebrity MasterChef, and Junior MasterChef, for 9-to-12-year-olds. The format has been reproduced around the world in a large number of international versions.

Wicked, mysterious and shrouded in legend: the red light of St. Pauli has always had a special attraction. The lively chronicle of this colourful, dazzling place tells stories of corrupt police officers, vigilantes and vigilantism, money laundering and contract killings - but also of family, clan and solidarity. In addition to love for sale, cabaret, gambling, live music and professional sports naturally also settle here. The world careers of the Beatles and Jimi Hendrix also began between squats and strip clubs.

Buster's World is a Danish children's television series and movie from 1984. Based on a play by Bjarne Reuter, Buster's World deals with the experiences of young Buster Oregon Mortensen. The television series was a break-through for director Bille August, and the soundtrack also provided a hit for the young singer Nanna Lüders Jensen.

A magazine show with each segment telling the story of a country, a civilization, a period or emblematic characters, rich in iconography and archival images.

From haunted houses to ghosts and zombies, here's a series of spine-chilling stories.

A story about the choices of people who either believe money is everything or believe that it’s not.